rigoletto met opera 2022 cast

Cast: Quinn Kelsey - Rigoletto Rosa Feola - Gilda Piotr Beczala - Duke of Mantua Craig Colclough - Monterone Varduhi Abrahamyan - Maddalena Andrea Mastroni - Sparafucile Scott Sully - Borsa. Great Performances Season 16 features Metropolitan Opera stars Angel Blue, Isabel Leonard, Lise Davidsen, Ren Pape, Matthew Polenzani, Sonya Yoncheva, Elna Garana and more. He has been nominated for 13 Tony Awardswinning in 2008 for South Pacific and 1998 for The Lion Kingin a career featuring more than 50 productions on Broadway. American rags, riches and everything in between. But her experience as an operatic conductor was in full evidence, shading the orchestra and stretching the tempo like a true master. in the middle of his career. The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19, Skylark Opera Theatre To Present Regional Premiere Of Jake Heggie's THREE DECEMBERS. These PDFs do not include cast changes that occurred after the program went to print. A second run of performances in the spring features baritone Ludovic Tezier, soprano Kristina Mkhitaryan, and tenor Stephen Costello, conducted by Karel Mark Chichon. After opening with hushed pianissimo on the opening line, his voice exploded with intensity and desperation before resorting back to another soft repetition of Quel vecchio maledivami! Bitterness ensued during O rabbia! Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. The aria proper was one expansive legato line that commenced with utmost softeness and tenderness, each successive peak and valley featuring fluid crescendoes and diminuendoes, each one ramping up the intensity toward the climactic high B flat near the end of the aria, where the tenor let loose with everything he had. Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. Opera in the Park; Don Giovanni (Mozart) . We might use this to show you more relevant content, We might use this to let you know about interesting events to attend near you, We might use this to address you personally in our newsletters. The collection of #PBSForTheArts programs is available at pbs.org/arts and the PBS Video app. When you have a tenor like this cast had, the choice is made that much more difficult. Her vocal approach to the role was perfectly aligned to her characterization. Audio from the December 31, 2021, as well as the January 4, 19, and June 8, 2022, performances will be streamed live on the Mets website, metopera.org. In Act three, he retained this prickly vocal character, his low notes throughout the quartet dark and grainy, emphasizing Rigolettos resentment. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. If her high E flat at the end of act two was a touch effortful, she more than made up for it with some ravishingly soft singing in the final scene. Even when she rejected him, he continued searching for her, his repetition of the piangi melody even more lush than before. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Victor Hugos 1832 play Le Roi sAmuse, set at the court of King Franois I of France (circa 1520), is a blatant depiction of depraved authority. These PDFs do not include cast changes that occurred after the program went to print. She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. She also conducted the Met's original cast album of Akhnaten, which won the 2022 Grammy Award for Best Opera Recording. Moreover, he started closing in on the other men around him, almost as if ready to strike them. As Gilda, Rosa Feola had a solid night overall. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. Rigoletto has remained a staple at the Met forever. The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. Rigoletto [rioltto] is an opera in three acts with music by Giuseppe Verdi and an Italian libretto by Francesco Maria Piave, based on the play The The King Has Fun, by Victor Hugo.Premiered on March 11, 1851 at the La Fenice theater in Venice, together with El troubadour and La traviata (both from 1853), it forms the popular trilogy that Verdi composed. It was also quite present during the S vendetta where the initial tempo surged forward so immediately that the actual stringendo written into the score near its climax sounded like a slowdown instead. Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. 23 des. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. His singing had rawness and pointedness, particularly as he poked fun at Ceprano and Monterone. Performance History. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet's father. Even when, moments later, her own father rushed to console her, you could feel the discomfort and even the sense of rejection as she moved away from him. Runtime: 210 min. Solo per me linfamia, instead of bitter and reproachful, sounded sorrowful and hurt in its approach. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. David holds a Masters in Media Management from Fordham University. 2010-2023 Bachtrack Ltd. All rights reserved. American set designer Michael Yeargan has designed more than a dozen productions for the Met, including the Gershwins Porgy and Bess, Romo et Juliette, LElisir dAmore, Les Contes dHoffmann, Le Comte Ory, and Il Barbiere di Siviglia. Also making her debut was the young mezzo Aigul Akhmetshina as Maddalena. They felt detached from transitions into them, when they existed (like in Cortigiani). 2022 | 20:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States fr. For further details on Rigoletto, including casting by date, please click here. This video really should have had a fourth example, though. or do we focus on Gildas preparations for her sexual encounter with the Duke? She made her Met debut during the 201819 season performing the role of Lauretta in Gianni Schicchi. Desperation took over with the subsequent phrases aggressive, accented, and frantic. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. Soprano Nadine Sierra stars as the self-sacrificing courtesan Violettaone of opera's ultimate heroinesin Michael Mayer's vibrant production of Verdi's beloved tragedy. And while that is true, the turntable also becomes a distraction here at some key dramatic moments. He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. Rigoletto Music by Giuseppe Verdi Libretto by Francesco Maria Piave Premiered March 11, 1851, La Fenice (Venice, Italy) Verdi's Italian masterpiece opens Opera Colorado's 40th Anniversary Season, featuring unforgettable music, including the effervescent "La donna mobile." Italian bass Andrea Mastroni reprises his portrayal of Sparafucile, a role he has previously sung at the Met in 2017 and La Scala. The Tony Award-winning director resets the opera's action in 1920s Europe . World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. She has also held tenures as deputy music director of Staatsoper Hamburg, interim chief conductor at the Maribor Slovene National Theatre, and first kapellmeister at the Vienna Volksoper. Kevin is a violinist and violist, and regularly performs as a soloist, chamber musician, and as an orchestral player. In January 2020, she performed recitals at New York Citys Park Avenue Armory and the Kennedy Center. The singers, who were all on their A-game, often sounded a bit uncomfortable. But hes here now and he was definitely worth the wait. The broadcast is part of season 16 of GREAT PERFORMANCES AT THE MET includes 10 new operas. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. The soloists were as good as you could hope for with this opera. Metropolitan Opera House, . In the ensuing scene with Feola, he refused to meet her gaze throughout, drawing her frustration, even becoming a bit harsh as she insisted on hearing her story. American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. A Verdi favorite, Rigoletto is set in the rich and decadent Italian Renaissance and features some of opera's most famous arias! Roger Hodgman, 53, is director of the Melbourne Theatre Company. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. Verdi doesnt waste a moment and every single note in the piece plays a crucial role in building its tension and tragedy. The opening lines of the duet were sung with utmost delicacy, the soprano slowly building up to the high A on daglocchi il cor, the high note suddenly full of rage and anger, before the line diminuendoed to a tearful resolution. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. The Age - Sat, 19 Feb 2022 . However, it included some glaring strange elements that were impossible to ignore. Producer: Don Judd. Previous GREAT PERFORMANCES programs include "Romeo & Juliet" from the National Theatre, "The Arts Interrupted," "Reopening: The Broadway Revival" and "The Conductor." Genre: Opera. Let's hope that this marks the first of many Met visits for her, Bernheim, and Akhmetshina. After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. Luiz Gazzola Opera Lively. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. And its definitely worth checking out. It will help us make your newsletter content more useful. A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera The Age - Thu, 31 Oct 2019 . The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. . In the role of Sparafucile, Relyea continued his revival with the company. Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. Verdi: Rigoletto: Directed by Gary Halvorson. That Kelsey matched her phrasing only added to the impact of this glorious moment. The opera will mark Morley's return to the Met following her . He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. He capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the moments following Gildas death. In Act three, the tenor took things up a notch, delivering a spotless rendition of La Donna mobile, each note of the dotted rhythm clear and articulated with vibrant sound. In adapting it, Verdi and Piave fought with the Italian censors and eventually settled on moving the story to the non-royal Renaissance court of Mantua, while holding firm on the core issues of the drama. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. The performance of Rigoletto on Saturday, January 29, 2022, will be transmitted live to cinemas around the globe as part of The Met: Live in HD series and broadcast over the Toll BrothersMetropolitan Opera International Radio Network. In a remarkable career spanning six decades in the theater, Giuseppe Verdi (18131901) composed 26 operas, at least half of which are at the core of todays repertoire. Other performances are November 14, 17, 20mat, 26mat, 29, and December 3, 8, 11mat, 14, 17mat, 20, 23, and 29. Mozart's Idomeneo. It took but a moment before she was rushing away down the stairs. Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos. The winner of the 2015 Beverly Sills Artist Award, his other company credits include Amonasro in Aida, Count di Luna in Il Trovatore, Enrico in Lucia di Lammermoor, Peter in Hansel and Gretel, Monterone in Rigoletto, Marcello in La Bohme, and Giorgio Germont in La Traviata. 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